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This prologue ends with the revelation (too obvious to be considered a spoiler) that Granddad was actually a conniving colonialist, and that everything bad that has happened to the family was a direct result of his misguided attempts to manipulate others. Brown) are portrayed as the victims of a magical attack that resulted in an enchanted forest being wrapped in mist for more than 34 years. The film opens with a bedtime-story version of the kingdom’s past - as recounted by the royal sisters’ parents, king Agnarr (Alfred Molina) and queen Iduna (Evan Rachel Wood) of Arendelle - in which their grandfather (Jeremy Sisto) and head general Mattias (Sterling K. “Frozen II” isn’t obnoxious about its revisionist point of view - progressive vis-à-vis the Disney values of past decades - though it’s hardly subtle about its millennial-minded politics either. “Frozen II” pushes the girl-power themes even further, rejecting dresses in favor of pants for much of the adventure, as Anna and Elsa set out to find the source of a mysterious song emanating from somewhere far to the north - a mythical place called Ahtohallan that holds the secret of their parents’ disappearance, as well as the key to finding peace with nature and the Northuldra, an indigenous tribe toward whom they’ve been taught to be wary. In myriad ways, “Frozen II” feels more like a follow-up to Pixar’s “Brave” than it does an extension of Disney’s earlier (very loose) adaptation of Hans Christian Andersen’s “The Snow Queen.” Gone is the need for a conventional villain gone are any expectations of princes charming or otherwise gone are the gowns that have shaped young women’s dreams of prom and wedding attire for more than a century.
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As with snowflakes, no two are alike, and this gorgeous, glittering reunion of siblings Anna (Kristen Bell) and Elsa ( Idina Menzel) proudly flaunts its own identity, even while taking care to incorporate so much of what worked about the original - like a steady stream of wisecracks from wonderstruck snowperson Olaf (Josh Gad). Ironically, “Frozen” fans may secretly be wishing for a more straightforward rehash, and to them, the best advice comes in the form of three little words: “Let it go” - a mantra they’ve surely internalized since the first movie. Certainly, screenwriter Jennifer Lee (who once again co-directs with Chris Buck) would be foolish to stray too far from this formula, but “Frozen II” is anything but a mindless remake. Released in 2013 to a record-scorching $1.29 billion, “Frozen” was such a huge hit for Walt Disney Animation Studios that many of its fans were probably assuming its sequel would play it safe and deliver more of the same: a sparkling 21st-century fairy tale in which a pair of wide-eyed heroines shrug off the need to be rescued by men, demonstrating the power of self-reliance and sisterly love.